Agriculture drives climate change, extinction, erosion and water depletion. It uses about 40 percent of all land on earth and more than 70 percent of all freshwater, drying up riverbeds and draining aquifers. Due to over-exploitation of the soil and climate change, desertification is one of the greatest threats to life on earth. Every minute of every day, 23 hectares of arable land are lost to growing deserts, and land degradation has reduced the productivity of 23 percent of the global land surface.

Meanwhile, by 2048 the world population is expected to increase to nearly ten billion. Combined with changing diets – from plant based to meat and fish – this means a higher demand for food and the threat of an even faster degradation of our soil due to exhaustion, while at the same time more and more harvests will fail as a result of climate change. 

Fertilizer disposal from industrial farming activities harm the ecosystems of rivers and coastal areas, while deforestation and the transformation of grassland into farmland cause soil erosion and loss of biodiversity. Nature is declining globally at rates unprecedented in human history and agriculture and land-use changes are the main drivers that also contribute roughly a quarter of greenhouse gases driving the global climate crisis.

All combined, agriculture is the single most transformative thing humans are collectively doing to the planet. Yet, most people don’t realize how fragile our food systems are.

That is why we have been documenting the social and environmental consequences of global agriculture since 2007. In a slow journalism approach we build close relationships with farmers, ranchers and fishermen, policy makers, activists and scientists. Our projects grow organically, chapter by chapter, in a constant cycle of research, production, and presentation. This open process allows them to surface in ever-new contexts, gradually building bridges from magazine publications and documentary films, linear web documentaries, and interactive apps to spatial installations at art institutions.


The ReefReporter cooperative (“RiffReporter”, in German) is a crossover between a collaborative publishing platform and a business accelerator for entrepreneurial freelance journalists. ReefReporter derives its name from the diversity, depth, and collaborative nature of coral reefs. It strives to be an ecosystem that provides tools to collaborate, and to publish and monetize independent journalism.

ReefReporter is cooperatively owned by the independent storytellers who use the platform and collaborate with each other, and are united under one strong brand. As a platform cooperative, ReefReporter combines the quality assurance of professional journalism with the logic and scalability of platforms that produce network effects for their participants.

I founded ReefReporter together with Christian Schwägerl, Tanja Krämer, Maximilian Steinbeis, and Sebastian Brink, in 2017. ReefReporter has been named Germany’s most innovative journalism project by the Netzwende Award (a collaborative project of the ZEIT Foundation, August Schwingenstein Foundation, and SPIEGEL-related Rudolf Augstein Foundation), and has won the prestigious Grimme Online Award 2018 in the category “Knowledge and Education”.

World Of Matter

World of Matter is an international art, exhibition and online project investigating primary materials (fossil, mineral, agrarian, maritime) and the complex ecologies of which they are a part. The project brings artists, architects, photojournalists, designers and programmers with notable bodies of previous work on natural resources and spatial politics together with theorists working in the areas of geography, art history and cultural theory.

The project seeks to develop innovative and ethical approaches to the handling of resources, while at the same time challenging the very assumption that the planet’s materials are inevitably a resource for human consumption; this human-centered vision has been the motor for many environmentally and socially disastrous developments. The social ecologies presented on the World of Matter site give evidence to the interdependence between human and non-human actants in this fragile system.

Bombay Flying Club

Bombay Flying Club is a close collaboration between professional photographers who are all driven by their personal passion and common love for great storytelling. Individually we shoot and produce compelling and important visual narratives that often focus on social- , environmental- or humanitarian issues. Together we create bigger and more complex journalistic projects that often turn into multi-media experiences and innovative story universes.

In 2014 we initiated the Mentorship Program where a select number of talented photographers were invited to work with us for a period of up to two years. The idea is to share knowledge and to help shape succesfull storylines that can captivate a global audience.

Uwe H. Martin is an independent visual storyteller, slow journalist, educator, and multimedia producer at Bombay Flying Club. He undertakes long-term journalism projects that combine photography with documentary film, text, and sound. 

He focuses on environmental issues in the Anthropocene. With his partner, Frauke Huber, he began LandRush in 2007. In this slow journalism project, they investigate the social and environmental consequences of global agriculture. In 2010, Uwe cofounded the international arts and research project World of Matter, to investigate raw materials and the complex ecologies they inhabit.

These projects transcend traditional journalism. LandRush bridges print media and web documentaries, interactive apps, and spatial art installations. World of Matter unites journalists, artists, architects, and designers working on natural resources and spatial politics, and connects them with geographical, historical, and cultural theorists.

He is the cofounder of Riff Reporter, a collaborative ecosystem for independent storytellers. It was founded in 2017 to meet the urgent need for financing quality freelance journalism.

Over the years Uwe has received numerous recognitions and awards for his work, including the German Reporter Award, the Greenpeace Award, the Development Media Award and the German Short Film Award. 

He served on the jury of the World Press Photo Digital Storytelling Contest, the German Reporter Award, the Lumix Multimedia Award, the CPOY and the Bosch master class Future of Science Journalism, where he was also part of the faculty.

Uwe studied photojournalism in Hanover, Germany, and, with the support of a Fulbright grant, at the Missouri School of Journalism. Besides his photographic practice, Uwe teaches photography and multimedia storytelling at many different locations, such as Rome, Athens, Kathmandu, Bogota and Rabat, and at schools including Lucerne University, the CNA Luxembourg and the University for the Arts in Bremen. He mentors young journalists and photographers and is often invited as a speaker on topics such as trans-media storytelling, slow journalism, fragmented narratives and the Anthropocene.